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X-WR-CALNAME;VALUE=TEXT:ASW - Reading the African Novel as Studio Practice with Tinashe Mushakavanhu
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SUMMARY:ASW - Reading the African Novel as Studio Practice with Tinashe Mushakavanhu
DESCRIPTION:<p><span>Join us for our in-person African Studies Workshop!&nbsp;The workshop series is a scholarly space for Africa-centered research, offering a diverse range of topics and scholarly backgrounds to explore historical and current conditions.</span><br><br><span lang="EN-US" dir="ltr"><strong>MARCH 23: BOOK TALK</strong></span><span>&nbsp;</span></p><p><em><span lang="EN-US" dir="ltr"><strong>Speaker:</strong></span></em><span lang="EN-US" dir="ltr"> Tinashe Mushakavanhu, </span><em><span lang="EN-US" dir="ltr">Assistant Professor in African and African American Studies, Harvard University</span></em><span>&nbsp;</span></p><p><em><span lang="EN-US" dir="ltr"><strong>Title: </strong>Reading the African Novel as Studio Practice</span></em><span>&nbsp;</span></p><p><span lang="EN-US" dir="ltr"><strong>Discussant:</strong> Doris Sommer, Harvard University</span><span>&nbsp;</span></p><p><span lang="EN-US" dir="ltr"><strong>&nbsp;Bio:</strong> Dr. Tinashe Mushakavanhu is Assistant Professor in African and African American Studies at Harvard University. His work sits at the intersection of African literary studies, visual culture, and archival theory, with a focus on how narrative form engages time, and the politics of representation. He holds a PhD in English from the University of Kent and an MA in Creative Writing from Trinity College, Carmarthen.&nbsp;</span><span>&nbsp;</span></p><p><span lang="EN-US" dir="ltr"><strong>Abstract:</strong> In this talk, Tinashe Mushakavanhu proposes reading the African novel as studio practice, where narrative form becomes a site of visual and temporal production, much like a photographic studio that frames, exposes, and develops images. Focusing on twentieth-century African novels, he shows how select writers absorb and retool photographic logic to invent alternative ways of seeing history and framing ethical encounters. This approach shifts the focus from representation to what happens when reading itself becomes a material, creative practice, attentive to framing, perspective, and failure. In an era of proliferating images and contested visual truth, the African novel is an important critical technology for thinking through the politics of seeing, witnessing, and making meaning.</span><span> &nbsp;</span></p><p><span><strong>If you are in Cambridge/Boston, we encourage you to join us in the Seminar Room at the Center for African Studies. If you are joining us virtually, </strong></span><a href="https://harvard.zoom.us/meeting/register/DuWrFnEXR2KJZ8WULtEgTA" data-entity-type="external"><span><strong>please register here on Zoom.</strong></span></a><a href="https://harvard.zoom.us/meeting/register/ZeyMJvZcSL20sEDvHlaY1A" data-entity-type="external"><span><strong>&nbsp;</strong></span></a></p><drupal-media data-entity-type="media" data-entity-uuid="5e8e094d-4e27-4805-91c0-ddc0f9021936">&nbsp;</drupal-media><hr><p><span>For future workshops, please </span><a href="https://africa.harvard.edu/african-studies-workshop-0"><span>join our ASW mailing list</span></a><span>. All speakers are listed below.</span></p><p>&nbsp;</p><drupal-media data-entity-type="media" data-entity-uuid="5e5705e2-c874-4982-975a-7f683ca3e6c2" data-view-mode="hwp_medium">&nbsp;</drupal-media><p>&nbsp;</p><drupal-media data-entity-type="media" data-entity-uuid="dc77da70-2667-493a-93d7-0051aaac942d" data-view-mode="hwp_medium">&nbsp;</drupal-media><drupal-media data-entity-type="media" data-entity-uuid="9d4c8293-a676-4474-a9f5-67ae1682d6db" data-view-mode="hwp_medium">&nbsp;</drupal-media>
LOCATION:Harvard CAS Seminar Room. 1280 Massachusetts Ave 3rd Floor, Cambridge, MA 02138
STATUS:CONFIRMED
DTSTART:20260323T160000Z
DTEND:20260323T173000Z
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